Skip to main content

Ray Bradbury's From the Dust Returned

     Sadly, only the most dedicated Bradbury fans seem to be aware of this lesser known work. In truth, as with many Bradbury novels, this work consists of short stories woven together to tell a unique tale. Without giving away too much, it is a work that has moments of whimsy and poignancy. There are characters and elements that are early Bradbury in tone and there are items that are the mature, reflective  and even philosophically poetic Bradbury. 
     The story focuses on an Illinois family distinguished by the fact that most are ghosts and other creatures. Two key characters are a mortal child Timothy, and Cecy, a creature hard to describe. While there are numerous great moments and several delightful passages of rich word craft, the scene that was most striking to me was as follows: 
     "Listen, now, let me provide the history of the rising tide of disbelief. The Judeo-Christian world is a devastation. The burning bush of Moses will not fire. Christ, from the tomb, fears to come forth should he be unrecognized by doubting Thomas. The shadow of Allah melts at noon. So Christians and Muslims confront a world torn by many wars to finalize yet a larger. Moses did not walk down the mountain for he never walked up. Christ did not die for he was never born. All this, all this mind you, is of great importance to us, for we are the reverse side of the coin toss in the air to fall heads or tails. Does the unholy or holy win? Ah, but look: the answer is neither none or what? Not only is Jesus lonely and Nazareth in ruins, but the populace at large believes in nothing. There is no room for either glorious or terrible. We are in danger, too, trapped in the tomb with an uncrucified carpenter, blown away with the burning bush as the east's Black Crucible cracks its mortar and falls. The world is at war. They do not name us the Enemy, no, for that would give us flesh and substance. You must see face or the mask in order to strike through one to deface the other. They war against us by pretending, no, assuring each other we have no flash and substance. It is a figment war. And if we believe as these disbelievers believe, we will flake our bones to litter the wins."
     This section is a stunning literary meditation comparable to Philip Rieff's Third Culture. This is a world drained of transcendence and signals of ultimate reality, where all has been eclipsed by the immediate and we dwell in a cave cold and alone. However, Bradbury's From the Dust Returned does not end with this note of despair. It is a fine read and both delightful and instructive.

Popular posts from this blog

Faith, Hope, and Love in a Culture of Death: Lois Lowry's The Giver as Film

Let's begin with the film's single greatest obstacle: the culture Philip Rieff described as "the death culture" is not likely to assemble en masse to pay for viewing a morality tale. A central message in this film is that we have become "shadows." Indeed, those immersed in our death culture do not likely have ears to hear and eyes to see the hollow selves we currently are. In a time such as ours, where very little if anything signifies, it is not probable this movie will be understood. At one key moment The Giver declares, "we are living a life of shadows, of echoes." This sentence captures the essence of the death culture. Add to that the following minor problem of our nearly national obsession with spectacle, as evidenced in news shows and recent popular YA movies such as The Hunger Games and Divergent . It is clear our current death culture is taken with the dystopian novel and dystopian movie version of said novel as long as it provides ...

How Twitter Killed Tolstoy or Why You Will Likely Not Finish this Blog

     My favorite fictional Professor, aptly described the end of learning. Faber, tells how his class went from Sven Birkerts The Gutenberg Elegies: The Fate of Reading in an Electronic Age The Pleasures of Reading in an Age of Distraction Alan Jacobs Slow Reading in a Hurried Age David Mikics Words Onscreen: The Fate of Reading in a Digital Age Naimi S. Baron My own experience parallels that of Professor Faber. With declining Liberal Arts majors and distracted Great Books students.... Our lives have become as thin as the thinnest flat screen TV. There is a hollowness to our public discourses and our private conversations. It is not surprising how the tone, texture, and content of our verbal exchanges mimic posts on our dominate social media or the headline stories Of course, the title of this blog could have been any of the following: How Instagram Killed How Vine Killed How Facebook Killed How Google+ Killed How LinkedIn Killed

If Dostoevsky Had Written Science Fiction

    Sounding like a modern, the Greek writer Callimachus once penned an epigram where he quipped, “a large book is a great misfortune.” Does not the legitimacy of such an assertion depend on the author and the reader? Novelist Michael O’Brien gives all lovers of fine novels another marvelously large book. As one who enjoys good science fiction, it is always a treat when a first rate novelist ventures into a genre different than what is the norm for that novelist.     Often when talking about literature, someone will ask, “what is it about?” This question is sometimes confused with the more important question of, “what are the possible meanings of this work?” While the storyline of Voyage to Alpha Centauri  is about a trip of the spaceship Kosmos to Alpha Centauri and given to us primarily in the form of the diary of Neil de Hoyos, one might be able to say that the novel  is really about what it means to be a human being, the human...