Skip to main content

When I'm Not Reading The Great Books, I'm Reading Really Good Ones Andrew Klavan's A Killer in the Wind

     My students regularly ask me about books and authors and also frequently ask, "what do you read when you are not reading Great Books?" It surprises them when I mention certain science-fiction and fantasy authors and I am always open for recommendations. Not long ago I was reading a blog, and novelist Andrew Klavan was mentioned. I was aware of Klavan, but had not read any of his works. Starting with some of his newer works, I must say I have been impressed. I will be finishing some of his YA fiction soon and will blog on that but wanted to start here with his most recent adult novel, A Killer in the Wind.
    This novel might best fit into the genre of psycho-thriller with moments of great suspense, and some enjoyable action-adventure. Characters Dan Champion, former military and investigator, former New York City police detective, and  Samantha, a librarian, are both broken and yet resilient in a deeply human fashion. Both a testament of the human spirit over the perversion of others. While the story explores human depravity and the darkness of the soul, it is not done in a prurient manner that many authors opt for.  
     Klavan is a wordsmith and can certainly evoke laughter, sadness, excitement  and reflection through his characters and setting. The plot is clear with the literary convention of flashbacks used throughout. Three years ago, working vice for the NYPD, Dan Champion uncovered a sex slavery ring run by a kingpin known only as the Fat Woman. There is a scene that portrays brilliantly the human capacity for self-deception when despite the evil perpetrated by the Fat Woman, she blames others and accepts no responsibility for her actions. Dan becomes fixated with seeing her brought to justice. 
     Some of the story is set in the contemporary moment with Champion having encounters with "ghosts" and hallucinations of people who he is convinced do not exist. The story takes a turn toward the action and suspense when Dan is confronted by trained killers. As is true of all good works of this nature, there are lots of questions asked in detective fashion with some of the answers leading to unexpected places. One can only hope that Andrew Klavan brings us more tales about the life and work of Dan Champion.


Popular posts from this blog

How Twitter Killed Tolstoy or Why You Will Likely Not Finish this Blog

     My favorite fictional Professor, aptly described the end of learning. Faber, tells how his class went from Sven Birkerts The Gutenberg Elegies: The Fate of Reading in an Electronic Age The Pleasures of Reading in an Age of Distraction Alan Jacobs Slow Reading in a Hurried Age David Mikics Words Onscreen: The Fate of Reading in a Digital Age Naimi S. Baron My own experience parallels that of Professor Faber. With declining Liberal Arts majors and distracted Great Books students.... Our lives have become as thin as the thinnest flat screen TV. There is a hollowness to our public discourses and our private conversations. It is not surprising how the tone, texture, and content of our verbal exchanges mimic posts on our dominate social media or the headline stories Of course, the title of this blog could have been any of the following: How Instagram Killed How Vine Killed How Facebook Killed How Google+ Killed How LinkedIn Killed

My Interview with William James on the New Atheists

      Ok , I begin with a disclaimer. This is not an actual interview in the technical sense. Since William James passed from this world in 1910, many decades before I was even born, it is not possible that I interviewed him. However, here is what really did happen. After spending the last few months pouring over key books by Professor James, it caught up with my unconscious mind and I did indeed dream that I met him and we talked. The following is an imagined conversation based on significant engagement with some of his writings and an unusual dream.  Robert Woods: This is a most unexpected honor to meet you Dr. James and be able to ask you some questions about some things you have written. William James: My pleasure. I am glad to discover that some are still reading my writings. Woods: I think what most impresses me about your education is that you are a philosopher and psychologist, but were trained as a physician which gives you an extraordinary advantage over some who

Faith, Hope, and Love in a Culture of Death: Lois Lowry's The Giver as Film

Let's begin with the film's single greatest obstacle: the culture Philip Rieff described as "the death culture" is not likely to assemble en masse to pay for viewing a morality tale. A central message in this film is that we have become "shadows." Indeed, those immersed in our death culture do not likely have ears to hear and eyes to see the hollow selves we currently are. In a time such as ours, where very little if anything signifies, it is not probable this movie will be understood. At one key moment The Giver declares, "we are living a life of shadows, of echoes." This sentence captures the essence of the death culture. Add to that the following minor problem of our nearly national obsession with spectacle, as evidenced in news shows and recent popular YA movies such as The Hunger Games and Divergent . It is clear our current death culture is taken with the dystopian novel and dystopian movie version of said novel as long as it provides