Skip to main content

Andrew Klavan's Crazy Dangerous and The Moral Imagination

     There are those lovers of Great Books who would speak so well of the fine, beautiful and good letters, that they implicitly denounce common letters. I am not in that camp. I still remember my sweet, dear grandmother Lila, giving me money from her tips where she worked at a local restaurant, so I could buy the most recent edition of Spiderman, Thor, or Daredevil comics. For a number of years of my youth, that was all I read, but read hundreds of comic books, I did.
     If I were teenager today, I would hope that I had a family member who would encourage me to read the young adult fiction of novelist Andrew Klavan. Why? Beyond being true page turners, they are peopled with characters who are often driven by a keen and accurate moral purpose. Sam Hopkins, while flawed in his youthful misdirected desire to be accepted, has a turning point where not only does he do the right thing, he does lots of little things that are right. Popular works that ultimately are morality tales can help shape the moral imagination of the readers. 

     One could defend the YA fiction of Andrew Klavan on the same ground that G.K. Chesterton defended the penny dreadful. Chesterton noted this key point about the penny dreadful, "It is always on the side of life." That is why lovers of Great Books can love good books that are so "on the side of life " When young Sam comes to the conviction that he must, "Do Right. Fear Nothing" he is on the side of life. When Sam defends "mentally disturbed" Jennifer, he is on the side of life. When Sam, aided by "mentally challenged" Jennifer, realizes that the bully thug and the most popular jock in the school are essentially the same, he is on the side of life. 
     Similar to some of Klavan's adult fiction, there is a this world--other world blending and blurring of lines that in the subtlest of ways is reminiscent of Russell Kirk's ghost stories or Charles Williams's spiritual thrillers.  Klavan is a master of the psychological thriller. This is a powerful and thoroughly sympathetic portrayal of a person struggling with hallucinations. In an insightful manner, Klavan demonstrates that even a person suffering from schizophrenia may not be completely broken from reality and how not all mental illnesses are the same.
    Among the key points of redemption within this work is the poignant way Klavan depicts the power and magic of real friendship and how God uses friendship to manifest His presence as God protects and assists us through others. Klavan does not seem to set out to write morality tales, but when people aspire to do the right things, in the right manner, toward the right ends, spiritual fables unfold.

Popular posts from this blog

Faith, Hope, and Love in a Culture of Death: Lois Lowry's The Giver as Film

Let's begin with the film's single greatest obstacle: the culture Philip Rieff described as "the death culture" is not likely to assemble en masse to pay for viewing a morality tale. A central message in this film is that we have become "shadows." Indeed, those immersed in our death culture do not likely have ears to hear and eyes to see the hollow selves we currently are. In a time such as ours, where very little if anything signifies, it is not probable this movie will be understood. At one key moment The Giver declares, "we are living a life of shadows, of echoes." This sentence captures the essence of the death culture. Add to that the following minor problem of our nearly national obsession with spectacle, as evidenced in news shows and recent popular YA movies such as The Hunger Games and Divergent . It is clear our current death culture is taken with the dystopian novel and dystopian movie version of said novel as long as it provides ...

How Twitter Killed Tolstoy or Why You Will Likely Not Finish this Blog

     My favorite fictional Professor, aptly described the end of learning. Faber, tells how his class went from Sven Birkerts The Gutenberg Elegies: The Fate of Reading in an Electronic Age The Pleasures of Reading in an Age of Distraction Alan Jacobs Slow Reading in a Hurried Age David Mikics Words Onscreen: The Fate of Reading in a Digital Age Naimi S. Baron My own experience parallels that of Professor Faber. With declining Liberal Arts majors and distracted Great Books students.... Our lives have become as thin as the thinnest flat screen TV. There is a hollowness to our public discourses and our private conversations. It is not surprising how the tone, texture, and content of our verbal exchanges mimic posts on our dominate social media or the headline stories Of course, the title of this blog could have been any of the following: How Instagram Killed How Vine Killed How Facebook Killed How Google+ Killed How LinkedIn Killed

Observing the Loss of the University

     Unless it is dramatic, erosion usually goes unnoticed. Or, unless one leaves for some time and then returns to notice what is often subtle and slow. Cultural shifts are often much like erosion. This is true of the modern American university. Its once impressive place on the landscape as a positive force in shaping society has been in question for several years now. While some of the criticism comes from pragmatists arguing, "it just isn't practical" other critics observe how the university has dug its own grave.      One of the most impressive, insightful, and at times caustic analyses of the plight of the loss of the university is agrarian, Wendell Berry. His essay "The Loss of the University" can be found in his Home Economics and it was also recently released by the Trinity Forum  as a booklet. When I read it for the first time in 1991, I was struck by how much Berry understood some of the real enemies of the university. Enemies both ins...